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 一篇推文告诉你《滕王阁序》有多厉害-秒词邦中高考英语-秒词邦
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一篇推文告诉你《滕王阁序》有多厉害

2024-07-04 22:56 来源:秒词邦背单词app/软件 阅读:497

一篇推文告诉你《滕王阁序》有多厉害


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今晚的夜读,是一期一会的中文之美。想和大家聊的是千古第一骈文《滕王阁序》。有网友说,这是一篇当年“不需全篇背诵却想背诵”的文章,也有人说,王勃是人间惊鸿客,留下这份绝美的礼物,刹那即永恒。


《滕王阁序》中,哪一句是你心中的“意难忘”?






关于《滕王阁序》,你需要知道的事



01
《滕王阁序》在古文中的水平是怎样的?顶级水平
杜工部有诗证明:“王杨卢骆当时体,轻薄为文哂未休。尔曹身与名俱灭不废江河万古流。
唐四杰,王杨卢骆打头第一个“王”,就是王勃。其文章声名,包括《滕王阁序》,已入史册:不废江河万古流。
文学家韩愈,读完《滕王阁序》,称赞其:“读之可以忘忧。”“江南多临观之类,而滕王阁独为第一。
要知道《滕王阁序》是一篇骈文,而韩愈自身非常不喜欢骈文,嫌其空洞无物,却唯独对《滕王阁序》刮目相看,可见此文的魅力。
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02
《滕王阁序》是王勃“即席而作”,也就是说临场发挥。本来骈文就特别难写,还要加个门槛——即兴创作,如果没有深厚的文学功底,没有极其敏捷的才思,没有超越常人的想象力,是不可能完成的。
可年轻气盛的王勃偏偏做到了。不仅做到,还才华横溢,挥毫泼墨,语惊四座,一出手,就是千载无双。
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03
那么,为什么要创作《滕王阁序》呢?
公元675年,王勃南下交趾探望父亲,经过南昌时,正好赶上重阳节,当地的一位阎都督在滕王阁大开宴席,王勃受邀前去凑了下热闹。他完全没有想到,这次赴宴成就了自己人生的高光时刻。
有趣的是,这个高光时刻,原本并不是为王勃准备的。
席上,阎都督想让自己的女婿写篇好文,借此机会扬名,不料在假意谦让时,王勃却提笔就作。
对于少年王勃的“抢戏”,阎都督起初十分不屑,当他听到王勃写“豫章故郡,洪都新府”当即表示,这不就是“老生常谈”嘛;王勃没理会,接着写到“星分翼轸,地接衡庐”这个时候,阎都督开始不说话了;及至“落霞与孤鹜齐飞,秋水共长天一色”一句,阎都督大惊“此真天才,当垂不朽矣!”
彻彻底底被眼前的天才少年征服了。
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04
《滕王阁序》,写得很炫技,但——也必须炫技。同等类型的文章,范仲淹的《岳阳楼记》,同样也很炫技。都是骈文味道很浓,词藻华丽,音韵铿锵。
因为这类给“一栋楼”写的文章,本质是需要用文字,把一栋楼给“画”下来。如果笔法不够炫美,就实在没什么看头。

05
炫技能炫到什么程度?
在构图上,王勃像一个电影摄影师,镜头由近及远,层次感十足:
“鹤汀凫渚”“桂殿兰宫”写阁楼四周景物,是近景山原旷其盈视,川泽纡其骇瞩”写山峦、平原和湖泽,是中景云销雨霁”“落霞与孤鹜齐飞”则是烟波浩淼、长空浩荡的远景

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在色彩上,王勃又转型为画师,有冷有暖,五彩缤纷,画面感十足:
“紫电青霜”中的“紫电”;
“飞阁流丹”中的“流丹”;
“层峦耸翠”中的“耸翠”;
“青雀黄龙之舳”中的“青雀”“黄龙”,五光十色,摇曳生辉。
更了不起的是,他还活脱脱创造出一种新颜色:暮山紫
潦水尽而寒潭清,烟光凝而暮山紫。”夕阳西下,因为烟雾笼罩,山透出薄紫色的光,以“暮山紫”来形容,贴切、迷幻又浪漫。
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06
不仅如此,短短700多字的《滕王阁序》里,蕴藏了30多个成语,其中一大部分在当下仍有极高的使用率:
襟江带湖三江五湖物华天宝
人杰地灵胜友如云
高朋满座
腾蛟起凤躬逢其盛飞阁流丹

桂殿兰宫、钟鸣鼎食、云销雨霁
水天一色、渔舟唱晚、衡阳雁断
逸兴遄飞、天高地迥、萍水相逢
时运不齐、命途多舛、冯唐易老
李广难封、达人知命、老当益壮
白首之心、穷且益坚、青云之志
涸辙之鲋、东隅已逝、桑榆非晚
兴尽悲来,登高能赋、
穷途之哭
一介书生、谢家宝树、好景不常
盛筵难再、临别赠言、物换星移

07
但必须承认的是,由于文采这个优点太过闪耀,往往也会遮盖住作品的内涵。《滕王阁序》除了那些极具画面感的句子,还有大量抒情、写理的句子。比如:
“天高地迥,觉宇宙之无穷;兴尽悲来,识盈虚之有数。”
“北海虽赊,扶摇可接;东隅已逝,桑榆非晚。”
“老当益壮,宁移白首之心?穷且益坚,不坠青云之志。”
“闲云潭影日悠悠,物换星移几度秋。阁中帝子今何在?槛外长江空自流。”
“关山难越,谁悲失路之人?萍水相逢,尽是他乡之客。”
这些句子,要么写浩大的宇宙观,要么写时间的史诗感,要么点评古人的机遇,要么勉励众生勇往直前。要么,道尽理想的坚守,人生的艰辛坎坷。哪一句写得不是智识丰满,透彻动人?
别的不说,就一句“萍水相逢”,写出了多少人与人之间,聚散无定的状态和感受,至今我们读来,仍会有落泪之动容。(知乎@在下行之)
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08
这次在滕王阁的惊艳亮相后,王勃继续踏上了南下寻父之旅。抵达交趾后,王勃见到了生活困顿的父亲。父子俩说了什么没人知道,也许是在怀念曾经的时光,也许是在庆幸当下的安稳,也许是在筹算未来的生活。(注:也有一说,王勃并未见到父亲)
再之后,王勃于行船途中,水溺,惊悸而死,时年只有二十七岁。
王勃的一生,虽然只有短短二十几年的光辉,流光一过,一瞬却能永恒。他让我们明白了什么是天纵其才,什么是后生可畏,什么是绝代华章。
“落霞与孤鹜齐飞,秋水共长天一色。”
每当天地间的浪漫促成此景,王勃就从未离开过。
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文|央视新闻《夜读》整编

图|视觉中国




最后,一起来诵读一遍《滕王阁序》吧

初读不识文中意,再读已是文中人


滕王阁序


作者:王勃


豫章故郡,洪都新府。星分翼轸,地接衡庐。襟三江而带五湖,控蛮荆而引瓯越。物华天宝,龙光射牛斗之墟;人杰地灵,徐孺下陈蕃之榻。雄州雾列,俊采星驰。台隍枕夷夏之交,宾主尽东南之美。都督阎公之雅望,棨戟遥临;宇文新州之懿范,襜帷暂驻。十旬休假,胜友如云;千里逢迎,高朋满座。腾蛟起凤,孟学士之词宗;紫电青霜,王将军之武库。家君作宰,路出名区;童子何知,躬逢胜饯。

时维九月,序属三秋。潦水尽而寒潭清,烟光凝而暮山紫。俨骖騑于上路,访风景于崇阿;临帝子之长洲,得天人之旧馆。层峦耸翠,上出重霄;飞阁流丹,下临无地。鹤汀凫渚,穷岛屿之萦回;桂殿兰宫,列冈峦之体势。

披绣闼,俯雕甍,山原旷其盈视,川泽纡其骇瞩。闾阎扑地,钟鸣鼎食之家;舸舰弥津,青雀黄龙之舳。云销雨霁,彩彻区明。落霞与孤鹜齐飞,秋水共长天一色。渔舟唱晚,响穷彭蠡之滨;雁阵惊寒,声断衡阳之浦。

遥襟甫畅,逸兴遄飞。爽籁发而清风生,纤歌凝而白云遏。睢园绿竹,气凌彭泽之樽;邺水朱华,光照临川之笔。四美具,二难并。穷睇眄于中天,极娱游于暇日。天高地迥,觉宇宙之无穷;兴尽悲来,识盈虚之有数。望长安于日下,目吴会于云间。地势极而南溟深,天柱高而北辰远。关山难越,谁悲失路之人;萍水相逢,尽是他乡之客。怀帝阍而不见,奉宣室以何年?

嗟乎!时运不齐,命途多舛。冯唐易老,李广难封。贾谊于长沙,非无圣主;窜梁鸿于海曲,岂乏明时?所赖君子见机,达人知命。老当益壮,宁移白首之心;穷且益坚,不坠青云之志。酌贪泉而觉爽,处涸辙以犹欢。北海虽赊,扶摇可接;东隅已逝桑榆非晚。孟尝高洁,空余报国之情;阮籍猖狂,岂效穷途之哭!

勃,三尺微命,一介书生。无路请缨,等终军之弱冠;有怀投笔,慕宗悫之长风。舍簪笏于百龄,奉晨昏于万里。非谢家之宝树,接孟氏之芳邻。他日趋庭,叨陪鲤对;今兹捧袂,喜托龙门。杨意不逢,抚凌云而自惜;钟期遇,奏流水以何惭?

呜呼!胜地不常,盛筵难再;兰亭已矣,梓泽丘墟。临别赠言,幸承恩于伟饯;登高作赋,是所望于群公。敢竭鄙怀,恭疏短引;一言均赋,四韵俱成。请洒潘江,各倾陆海云尔:

滕王高阁临江渚,佩玉鸣鸾罢歌舞。

画栋朝飞南浦云,珠帘暮卷西山雨。

闲云潭影日悠悠,物换星移几度秋。

阁中帝子今何在?槛外长江空自流。

A tweet tells you how powerful "Preface to Tengwang Pavilion" is

CCTV News 2024-07-04 22:26 Beijing

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Tonight's night reading is a period of Chinese language beauty. I would like to talk to you about the first parallel prose of all time, "Preface to Tengwang Pavilion". Some netizens say that this is an article from the past that they wanted to memorize without needing to memorize it all. Some also say that Wang Bo was a stunning guest in the world, leaving behind this beautiful gift will be eternal in an instant.

Which sentence in "Preface to Tengwang Pavilion" is your unforgettable meaning in your heart?

What you need to know about the Preface to the Tengwang Pavilion

01

What is the level of "Preface to Tengwang Pavilion" in ancient Chinese literature? Top level.

Du Gongbu wrote a poem to prove: "At that time, Wang Yang, Lu, and Luo had a style that was frivolous and unremarkable. The body and name of Er Cao were destroyed, and the rivers and rivers flowed for eternity."

The Four Heroes of the Early Tang Dynasty, Wang Yang Luluo. The first "king" at the beginning is Wang Bo. His article reputation, including "Preface to Tengwang Pavilion", has been recorded in history: "The river flows forever without waste.".

Literary writer Han Yu, after reading "Preface to Tengwang Pavilion", praised him: "Reading it can forget worries." "Jiangnan has many nearby temples, and Tengwang Pavilion ranks first."

It should be noted that "Preface to the Tengwang Pavilion" is a parallel prose, but Han Yu himself dislikes it very much and finds it empty and meaningless. However, he only looks at "Preface to the Tengwang Pavilion" with admiration, which shows the charm of this essay.

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02

The Preface to Prince Teng's Pavilion was written by Wang Bo on the spot, which means he acted on the spot. Parallel prose is already particularly difficult to write and requires an additional threshold - improvisation. Without a profound literary foundation, extremely agile thinking, and imagination beyond ordinary people, it is impossible to complete it.

However, Wang Bo, who was young and energetic, did it. Not only did he achieve it, but he was also talented, wielding his brush and splashing ink, and amazed everyone with his words. With one move, he was unparalleled for a thousand years.

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03

So, why create "Preface to Tengwang Pavilion"?

In 675 AD, Wang Bo went south to Jiaozhi to visit his father. As he passed through Nanchang, it happened to be the Double Ninth Festival. A local governor of Yan held a banquet at the Tengwang Pavilion, and Wang Bo was invited to join in the fun. He never expected that this banquet would achieve a shining moment in his life.

Interestingly, this highlight moment was not originally intended for Wang Bo.

At the banquet, Governor Yan wanted his son-in-law to write a good article and use it as an opportunity to make a name for himself, but unexpectedly, while pretending to be humble, Wang Bo picked up the pen and wrote it.

At first, Governor Yan disdained the young Wang Bo's "snatching scenes". When he heard Wang Bo write "Yuzhang Old Commandery, Hongdu New Mansion", he immediately said, "This is just a clich é;"; Wang Bo ignored it and continued to write, "The stars are divided into wings and the earth is connected to Henglu." At this point, Commander Yan began to remain silent; As soon as the sentence "The sunset and the lone duck fly together, and the autumn water grows in the same color as the sky," Governor Yan was shocked, "This true genius should be immortal!"

Completely conquered by the genius boy in front of me.

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04

The Preface to Prince Teng's Pavilion is written with great skill, but it must also be showcased. The same type of article, Fan Zhongyan's "Record of Yueyang Tower", is also very impressive. They all have a strong flavor of parallel prose, with gorgeous words and resounding melodies.

Because this type of article written for a "building" essentially requires the use of text to "draw" a building. If the brushwork is not flashy enough, it really doesn't have much appeal.

05

To what extent do you flaunt your skills?

In terms of composition, Wang Bo resembles a cinematographer, with a sense of depth and depth from close to far:

"Heting Fuzhu" and "Guidianlan Palace" depict the scenery around the attic, which is a close-up view; "The mountains and plains, as well as the lakes and lakes, are the central scenery."; "Clouds selling after rain" and "sunset and solitary ducks flying together" are the distant views of vast smoke waves and vast sky.

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In terms of color, Wang Bo once again transformed into a painter, with a mix of cold and warm, colorful and full of visual sense:

"Purple Electricity" in "Purple electricity Green Frost";

"Flowing Pills" in "Flying Pavilion Flowing Pills";

The "towering green" in the "layered towering green";

The "Qingque" and "Huanglong" in the "Qingque Huanglong's Splash" are colorful, swaying and shining.

What's even more remarkable is that he vividly created a new color: the purple of Mount Mu.

"The cold pool is clear and desolate, and the smoke and light condense into the purple of Mount Mu." As the sun sets in the west, the mountain emits a thin purple light due to the cover of smoke. To describe it as' Purple of Mount Mu 'is appropriate, enchanting, and romantic.

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06

Moreover, the short 700 word preface to the Tengwang Pavilion contains over 30 idioms, most of which still have a high usage rate today:

Leading Rivers and Lakes, Three Rivers and Five Lakes, Wuhua Tianbao

Talents and spirits, victorious friends like clouds, and high social status

Soaring dragons and rising phoenixes, bowing to one's glory, flying in the attic and flowing pills

Gui Dian Lan Gong, Zhong Ming Ding Shi, Yun Xiao Yu Ji

Water and sky in one color, fishing boats singing in the evening, Hengyang geese cutting off

Yixing Trent Flying, Heaven and Earth Distinct, Meeting by chance

Unfortunate times, tumultuous fate, Feng Tang and Yi Lao

Li Guang is difficult to win, a wise man knows his destiny, and he is old and strong

White headed heart, impoverished and resilient, and green cloud aspiration

The dry frog, the eastern corner has passed away, and the mulberry and elm are not late

When all is good and sorrowful, one can climb high and become capable, and cry in despair

Yijie Scholar, Xie Jiabaoshu, Unforeseen Good Times

A feast that never comes again, a farewell message, a change of things and stars

07

However, it must be acknowledged that due to the brilliance of literary talent, it often obscures the essence of the work. In addition to the visually appealing sentences, there are also a large number of lyrical and logical sentences in the Preface to the Tengwang Pavilion. For example:

"The sky is high and the earth is vast, realizing the infinity of the universe; when all the joys and sorrows come, one realizes the number of gains and losses."

"Although the North Sea is on credit, it can be received by Fuyao; the East Corner has passed away, and the mulberry and elm are not late."

"When old and strong, would it be better to move the white headed heart? Poor and strong, not to fall into the ambition of the blue clouds."

"The leisurely clouds and shadows of the pond sway the sun, and the stars shift a few degrees in autumn. Where is the emperor in the pavilion now? The Yangtze River flows freely in the sky outside the threshold."

"The mountains are difficult to cross, who is the one who mourns the loss of their way? We meet by chance, and we are all guests from a foreign land."

These sentences either depict a grand worldview, an epic sense of time, or comment on the opportunities of the ancients, or encourage sentient beings to move forward courageously. Either, stick to your ideals and face the hardships of life. Which sentence is not written with full intelligence and insight, penetrating and moving?

Not to mention anything else, just the phrase "meeting by chance" describes the countless states and feelings of gathering and dispersing between people. Even today, when we read it, we still have the emotion of shedding tears. (Zhihu @ below)

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08

After his stunning appearance at Tengwang Pavilion, Wang Bo continued his journey south in search of his fa

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